Thirty-three million dollars on a Friday. No cape, no franchise, no Roman numeral in the title.
Amazon MGM’s Project Hail Mary, the Andy Weir adaptation starring Ryan Gosling as a schoolteacher-turned-reluctant-astronaut, pulled in $33 million on its opening day from 4,007 locations, according to Variety. The film is tracking toward a $77.1 million opening weekend, per Deadline — nearing Oppenheimer’s record debut of $82.4 million for a non-franchise, non-sequel film, though it still needs to edge past I Am Legend ($77.2 million in 2007) to claim the second-best spot.
The Martian Comparison
Weir’s last trip to the big screen, Ridley Scott’s The Martian, opened to $54 million in October 2015 and went on to gross $630 million worldwide. Project Hail Mary is outpacing that start by a comfortable margin, though its $200 million production budget sets a higher bar for profitability. The 95% Rotten Tomatoes score and 85% “definite recommend” on PostTrak suggest the legs could be there.
Directors Phil Lord and Christopher Miller — the pair behind 21 Jump Street and the Spider-Verse series — have delivered what The Atlantic’s review called “a Big Friendly Giant of a movie,” a 156-minute space epic that plays to both adults and kids. IMAX and premium formats are driving a massive 56% of ticket sales, according to Deadline.
Why It Matters
Only two non-franchise, non-sequel films in the past decade have crossed $60 million on opening weekend: Oppenheimer and Jordan Peele’s Us. In a landscape where studios chase existing IP like it’s oxygen, Project Hail Mary — adapted from a 2021 novel, not a theme-park ride — is a pointed reminder that audiences will show up for something new if it’s done well. Forty-one percent of moviegoers said they came because it’s a sci-fi film, per PostTrak exit polls. Another 41% came for Gosling.
The weekend box office across all titles is running north of $143 million, up 91% over the same frame last year. Spring break timing helped, but the headline belongs to Gosling and his alien rock friend.